Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Monday, 6 June 2016

Guest Post: Using Flashbacks to Deepen Character by Pat Esden

Using Flashbacks to Deepen Character
by Pat Esden

Often writers are told to avoid flashbacks. In some cases this advice is wise. However, if used judiciously flashbacks are a powerful writing tool, especially for deepening character. What’s important is when and why characters choose to remember, what they remember, and the emotion or emotions the memory evokes.

One of the most important things to remember is to only use flashbacks at a point in the story where they will have a direct impact on the ongoing action. For example, a flashback can justify a character doing something that goes against how they have behaved up until that point in the story by showing a past event that serves as a trigger for this seemly strange behavior.

The flashback itself needs to be an emotional high or low point. But it doesn’t have to be a long or extensive memory. In fact, tiny and more personal flashbacks tend to covey a stronger emotional impact on the character and reader.

For example, a withdrawn and prudish Victorian school teacher might risk social rebuff by rescuing a drunk prostitute from ridicule because a yellow ribbon in the woman’s hair reminds the teacher of her own mother who was an opium addict. Perhaps the flashback has to do with her mother putting a yellow ribbon in the teacher’s hair, the sensation of a loving touch in the teacher’s otherwise harsh childhood.

Equally important is the character’s attitude toward the flashback. If the teacher’s memory of the yellow ribbon makes her feel hatred or envy instead of compassion or confidence, then her behavior toward the prostitute might be entirely different.

The flashback doesn’t just deepen the character that’s remembering it. The flashback also can show a lot about the character or characters being remembered. Was the teacher’s mother kind but a victim of circumstance? Or was she in reality abusive and the ribbon was used for both kindness and punishment? Is there a third character in the scene, the teacher’s brother who in the past was ridiculed by the mother and now is treating the prostitute in a similar manner?

Now here’s a tricky thing. A character’s emotional reaction to or understanding of a flashback can change as a story progresses. Instead of being stagnant, the flashback can transform into a marker of a character’s growth. For example, if we go back to the schoolteacher story, perhaps at first she hates the prostitute because of her memories of her mother. But as the story goes on, the teacher’s experiences make her realize that she was cruelly judgmental of her mentally ill mother. At the end of the story, the teacher might see the flashback through new eyes and have a different reaction to a woman and yellow ribbon.

One of the best ways to experiment with flashbacks is to think about your own past. What tiny moments in your past do you recall with strong emotions? Do certain smells or tastes affect you emotionally because of something in the past? Now add similar experiences to your characters’ backstories and let them surface at moments when a hot spike of emotion is needed.

About the Author

PAT ESDEN is an antique-dealing florist by trade. She’s also a member of Science Fiction & Fantasy Writers of America, Romance Writers of America, and the League of Vermont Writers. Her short stories have appeared in a number of publications, including Orson Scott Card’s Intergalactic Medicine Show, the Mythopoeic Society’s Mythic Circle literary magazine, and George H. Scither’s anthology Cat Tales.


Her new adult paranormal novel, A HOLD ON ME (book #1 in the Dark Heart series) is available from Kensington Books and BEYOND YOUR TOUCH (book #2 Dark Heart series) will be released August 30th.


Author Links




A Hold on Me


She never wanted to return.
He wants nothing more than for her to leave.
But the fire between them is as strong as the past that haunts them.

Annie Freemont grew up on the road, immersed in the romance of rare things, cultivating an eye for artifacts and a spirit for bargaining. It’s a freewheeling life she loves and plans to continue—until her dad is diagnosed with dementia. His illness forces them to return to Moonhill, their ancestral home on the coast of Maine—and to the family they left behind fifteen years ago, after Annie’s mother died in a suspicious accident.

Once at Moonhill, Annie is shocked when her aunt separates her from her father. The next time Annie sees him, he’s a bizarre, violent shadow of his former self. Confused, she turns to an unlikely ally for support—Chase, the dangerously seductive young groundskeeper. With his dark good looks and powerful presence, Chase has an air of mystery that Annie is irresistibly drawn to. But she also senses that behind his penetrating eyes are secrets she can’t even begin to imagine. Secrets that hold the key to the past, to Annie’s own longings—and to all of their futures. Now, to unlock them, she’ll have to face her greatest fears and embrace her legacy…


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Thursday, 4 September 2014

Vanessa Barger: The Importance of Reading to a Writer


Today we are happy to have our pub-sister Vanessa Barger here to chat about the importance of reading to a writer. I couldn't agree with her thoughts more. I think reading is the single most important thing a serious writer can do to improve their craft. But before we delve into Vanessa's spot-on post, here's a little bit about her new YA paranormal novel, A Whispered Darkness. It sounds absolutely fantastic and is available now!

Title: A Whispered Darkness
Publication date: August 26, 2014
Publisher: Month9Books, LLC.
Author: Vanessa Barger

When Claire Mallory’s father leaves, her mom moves them to a new town and into a dilapidated
Victorian house.

The old house creaks and whistles, and smells well — like it’s been abandoned for years. But as the nights grow longer and the shadows take on substance, Claire wonders if the strange sounds and occurrences might be more than the house showing its age.

Just as things start to pick up in Claire’s love life, her mother becomes possessed. In an attempt to save her mother and their new home, Claire enlists the help of two boys, each of whom is interested in Claire for different reasons. As she chooses one boy over the other, something dangerous is unleashed, and the spirits make their move.

They aren’t content to moan and scream inside Claire’s house, or even control her mom. They want a taste of freedom, and she’s their key to getting it. But is Claire strong enough to fight off the evil spirits, or will they claim her and her mom before it’s all over?


          



The Importance of Reading to a Writer
by Vanessa Barger

Thanks for letting me guest blog today. Since I’ve been given free reign (insert evil laughter here) I took a while thinking of what to say. Do I talk about the road to publication? Nah. Where I got the idea for A WHISPERED DARKNESS? Meh. Instead I thought I’d talk about the importance of reading to a writer.

Some of you are looking at me like I’m crazy. Of course you read. But I want to stress the importance of it. As writers, you get caught up in your own worlds. Especially if there’s a lot going on. For me, I teach high school, then write (sometimes more than one thing at a time), then work on blogging and the things that come with having a book published. Hopefully I’ll be juggling speaking engagements with that someday as well.

It’s important to take the time to read. While I think authors should read extensively in their area – otherwise how do you know what else is out there – I think as long you’re reading something it doesn’t matter. I had a critique partner once who used to say she had to “refill her word count” and take a break to read a book. I think that’s pretty accurate.

It’s easy to write a book, edit it, submit it, edit it again, send it to crit partners, beta it, edit it, rinse and repeat and you get tired. But if you read a book or two (or seven) it helps to get you motivated. Reading someone you admire makes you want to do better as a writer. You get pumped and inspired.
Reading someone else’s work is kind of like watching those ridiculous football movies if you’re a football fan/player (Forgive me if I offend. There are football fans, and then there are people like me who hide at the mention of a touchdown). They make you want to be better.

Anything that can inspire you to be better and make your work better and is something fun wins in my book.

I have a few suggestions – if you want beautiful prose, read anything by Lisa Ann Sandell. You want creepy and gritty? Cryer’s Cross by Lisa McMann. Fun Scifi? I Am Number Four by Pittacus Lore. Light hearted historical? Eva Ibottson will do it for you.

I could go on, but those are some great suggestions. If you have something you adore, I’d love to hear it! I’m always looking to add to my never-ending reading list!


ABOUT THE AUTHOR

Vanessa Barger was born in West Virginia, and through several moves ended up spending the majority of her life in Virginia Beach, Virginia. She is a graduate of George Mason University and Old Dominion University, and has degrees in Graphic Design, a minor in Medieval and Renaissance Literature, and a Masters in Technology Education. She has had articles published in Altered Arts Magazine, has had some artwork displayed in galleries in Ohio and online, and currently teaches engineering, practical physics, drafting and other technological things to high school students in the Hampton Roads area of Virginia. She is a member of the SCBWI (Society of Children’s Book Writers and Illustrators) and the Virginia Writer's Club. When not writing or teaching, she’s a bookaholic, movie fanatic, and loves to travel. She has one cat, who believes Vanessa lives only to open cat food cans, and can often be found baking when she should be editing.


               


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Saturday, 22 March 2014

My Writing Process Blog Tour

Today I’m taking part in the MY WRITING PROCESS blog tour. I was invited by Kat Ross whom you can find at http://katrossbooks.com. Thanks, Kat!

The MY WRITING PROCESS blog tour introduces new authors and bloggers in a sort of pay it forward venue. I have four writerly questions to answer, and then I have three authors/bloggers to introduce. Those tagged will join the tour, posting their answers about a week later.


So first, the questions:


What am I working on?

I’m about to enter the last revision stage of my upcoming book, MY TETHERED SOUL, which is due for release on June 10th from Month9Books. I just had a cover reveal yesterday, and I’ll be signing copies of the book at BEA in New York in May. I'm also writing another book.

How does my work differ from others in its genre?

There are other books involving reapers, but my book has mythical beings called Vila, which are half faery and half witch. I can’t recall another book with this mix of supernatural creatures. Maybe there are, but I do not know of them.

Why do I write what I do?

I love magic in stories. I think it makes stories much more interesting. And I love creating magical worlds and people and telling their tales. And YA simply rocks!

How does my writing process work?

First comes the idea, that little seed that slowly forms into a sapling in my head. Once the idea is solid, I like to figure out where the story would go. Yes, I’m a plotter. For my latest WIP, I wrote notes to myself on my phone for bits and pieces I needed to remember for the story. My next step is outlining, which sometimes includes index cards. From my short outline points on the index cards, I start typing. That’s when the pantser in me comes out, usually because the characters try to usurp my plotting. When I have a few good chapters fleshed out, I start sending them to my crit partner and beta reader.


And now it’s time for me to tag the next three victims … er, participants. Look for their posts in the upcoming week or so where they’ll spill all their writerly secrets.

Elizabeth Holloway

Elizabeth Holloway is a maternity nurse living in Southern Pennsylvania with her two teen children and their pets, Bam-bam the dog and Tinkerbell the cat. In addition to nursing and writing, she’s also an avid reader, an artist, a karaoke singer, a music lover, and a kick-ass Pictionary player. Her debut YA novel, CALL ME GRIM, will be released from Month9Books in Fall 2014.

DelSheree Gladden

DelSheree Gladden lives with her husband and two children in New Mexico. DelSheree has several bestselling young adult urban fantasy series and will be releasing her first contemporary romance this year.

Ioana Visan

Award-winning writer Ioana Visan has always dreamed about reaching the stars, but since she can't, she writes about it. After fighting the apocalypse aftermath in "Human Instincts", she played with shapeshifters in “Blue Moon Café Series: Where Shifters Meet for Drinks”, and then she dealt with vampires in “The Impaler Legacy” series, before tackling longer works like a fantasy trilogy and a science fiction series. She was awarded the Encouragement Award by The European Science Fiction Society at Eurocon 2013.


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Wednesday, 12 March 2014

Guest Post: On Writing and Music, by Dina von Lowenkraft

Please help us welcome Dina von Lowenkraft, author of YA fantasy novel, DRAGON FIRE. Dina has joined us today to share a bit about how she uses music to help define her characters. But first, a little about her newest novel, DRAGON FIRE, which is available now!


Some choices are hard to live with.
But some choices will kill you.

When seventeen-year-old Anna first meets Rakan in her hometown north of the Arctic Circle, she is attracted to the pulsing energy that surrounds him. Unaware that he is a shapeshifting dragon, Anna is drawn into a murderous cycle of revenge that pits Rakan and his clan against her best friend June.

Torn between his forbidden relationship with Anna, that could cost them both their lives, and restoring his family’s honor by killing June, Rakan must decide what is right. And what is worth living – or dying – for.

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On Writing and Music

I have a writing quirk that I didn’t realize was a quirk until I started discussing playlists with other authors. They all have playlists that give the mood of their manuscript or specific scenes (fight scenes, love scenes etc.), but I don’t. Instead, I find music for each character. I actually go out and search for CDs that each character would listen to, or in the case of my angel-like Elythia, that they would sing - and no, they don’t sound in any way angelic! If any of you know the group Tool, you’ll know what I mean.

And when I’ve been unsure, I’ve even gone into a music store and described a ‘friend’ I was buying music for. After one such session, I came out with a couple of Angels & Airwaves CDs that turned into Erling’s voice for me. Although Erling is a secondary character in Dragon Fire, he is one of the main characters in the prequel that I am currently working on.

My other quirk is that I don’t listen to music while I write. So what do I do with all those CDs I buy for my characters? I usually listen to them in the car when I am driving from one place to an other (I live in the country, and do a lot of driving). I really enjoy this time with my characters in the car. It helps me figure out who they are and what they are feeling in the scene I am writing.

As a side, but truly amazing story, when I went back to Tromso in Northern Norway where both Dragon Fire and its prequel are set, I went to the restaurant where I imagined Erling and June going to for their first date (an event that happens in the prequel). The CD that greeted me when I walked in was by Angels & Airwaves. In addition, the green Ninja motorcycle I had imagined for one of their friends was parked across the street. It was as if my world had come alive. Needless to say, I sat down, ordered June’s vegetarian burger and wrote the rest of the scene on a complete writer’s high.

The only character I never found any music for was Rakan, the main character of Dragon Fire. It took me several months of searching to realize that as a shapeshifting dragon who had grown up in an isolated part of Western Tibet, Rakan didn’t listen to music.

How do you use music when you write? Or is there something else that helps you get closer to your characters/the voice of your manuscript? I’d love to hear from you!


ABOUT THE AUTHOR

Born in the US, Dina has lived on 4 continents, worked as a graphic artist for television and as a consultant in the fashion industry. Somewhere between New York and Paris she picked up an MBA and a black belt – and still thinks the two are connected. Dina is currently the Regional Advisor for SCBWI Belgium, where she lives with her husband, two children, three horses and a cat.

Dina loves to create intricate worlds filled with conflict and passion. She builds her own myths while exploring issues of belonging, racism and the search for truth... after all, how can you find true love if you don’t know who you are and what you believe in? Dina’s key to developing characters is to figure out what they would be willing to die for. And then pushing them to that limit.


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Thursday, 29 March 2012

No Vacation for Writers?

So tomorrow's my last day of work before I go on vacation for two weeks. YES! I seriously need a break.

But as writers, do we really get a break? I'm waiting on the first round of edits from my editor which should be landing in my inbox any day now, a fact that makes me extremely nervous. I'm also waiting on bits of news from my publisher I can't stop thinking about. I also have to write the sequel to my not-even-released-yet debut novel. Okay, I've outlined it, at least. So that's a start. But knowing I'll have a time crunch eventually, I feel like I need to dive into writing it. How do I do that when I'm on vacation visiting family? Even if I bring a laptop, will I get the time?

Tell me how you do it. Do you leave all writerly things behind when on vacation, or do you sneak in as much writing as you can while you're away?

Wednesday, 18 May 2011

What's Been Keeping Me From Writing

Life gets busy. It's a fact. But hopefully you writers out there aren't letting life completely wipe out your writing progress. Yes, there are times when you've got so much on your plate you can't even spare a minute to write one sentence. But hopefully your hectic schedules won't ever completely stop you from writing.

For me, even when I'm too busy to immerse myself in a world totally made up in my head, I plan. I more or less outline how I want my current story - or my next story - to pan out. I've got three stories swirling about in my head that I'd love to have time to write right now, but alas, there is life tripping me up.

For the last few weeks, it's been baking that's getting in the way. My husband, my son, and two good friends of mine have all had birthdays in the last four weeks, and somehow my creativity has been flowing through my oven. Which is fine - baking cupcakes is kinda fun. And yummy. But actually, all that mixing and pouring and crushing and frosting has the writing wheels in my head chugging along. I will be writing again soon. Very soon. I just know it.

Oh, and the baking? Let me just show you.

Oreo cupcakes. And yes, there's an Oreo at the bottom too!



Cookie-crumble bottom vanilla cupcakes with chocolate frosting and caramel drizzle (and surprise caramel mousse chocolate inside).



Tuesday, 22 June 2010

In Between Days

Most aspiring writers I've come into contact with have many coals on the fire. I'm talking about manuscripts and WIP's, of course. Either they have multiple works-in-progress, or a finished manuscript and one or more WIP's, or more than one finished manuscript and a WIP or two to boot. This is, as far as I'm concerned, normal writer behavior.

But how do you get into the right mind-set when you've got multiple projects?

What do I mean by mind-set? When I work on a story, I try to really get to know the characters. I get involved with what's happening to them. I invest myself in their lives. And when I'm finished with that story, although it's still with me, I have to let it go a little in order to move on to the next story. Not completely, of course, but enough that I can concentrate on my next batch of characters and situations.

So let's say, for example, you're querying your finished manuscript and working on one of your WIP's. Now what happens when you get agent feedback for that finished manuscript and you decide to make appropriate changes. How do you switch mind-sets from one story to the other?

You tell me. Do you find it easy to keep all your characters in check? Do you stop working on a new project for a while when you're faced with feedback on a project you're currently pitching? Or are you an expert at juggling these things in your mind? And most importantly, how do you keep from going crazy in the process?

Tuesday, 11 May 2010

Separation Anxiety

One of the things I struggle with when I write is separating writing from editing. I tend to correct as I go. I think it's something that was just planted in me, like a seed, and then grew and grew until it took over my thinking completely.

On the one hand, I like that I scrutinize every word I write, every sentence and every paragraph, wondering if there is a better way to convey to the reader what I'm trying to say. But on the other hand, it's TOO MUCH PRESSURE. Words will not flow like they should if I'm constantly changing a sentence around before I get to the next one, right? Not to mention how long it takes to get that story out of my wee brain.

I'm working on it though.

I've recently started a new WIP, and I will try to remind myself to just write, write, keep on writing, and go back through it later for editing and revisions. You realize I used the word "try," right? ;p

You tell me. Do you find it easy to separate writing and editing, or is it easier for you to correct as you go?

Monday, 22 February 2010

In The Beginning ...

Hello!

Here's the deal. I'm looking for aspiring writers who wouldn't mind being interviewed about what they're working on and how far along in the getting-published process they are. If you think this is something you'd be interested in, drop me an email at dorothyanndreyer [at] gmail [dot] com.

I look forward to hearing from you!